“I weave and connect traces and tracks of subtle changes into organic forms. The organic forms are made with mass-produced industrial materials, in particular, Monofilament and cable ties. They are non–durable, disposable, trivial, inexpensive and easily consumed materials. But, when I weave and connect them, they are transformed into organic visualizations. I want them […]
“Cutting up, breaking apart, or melting, are some of the ways I lose my familiarity with an object and see its material qualities. Exposing a hidden rawness, I am able to consider the gap between how I know these objects and what they really are. I hope my sculptures can turn things that are […]
September 30, 2021 – January 28, 2022| Opening Reception: September 30, 2021 | 6 – 8 PM| In this group exhibition, three artists challenge and redefine the conventional idea of fiber and textile art by employing already-established techniques of weaving, embroidery, and assemblage with new materials and creating and inventing new forms. Featuring the work […]
The thing that really struck me was the grit and resilience of the people — they were in the process of recovering from a devastating war that displaced so many people. But the markets were crowded, people went about their business — things had to get done! They had to survive and thrive! … […]
Image courtesy of Mina Cheon Studio The global art activist Mina Cheon draws inspiration from the partition of the Korean peninsula, in which she enlists a range of mediums including painting, sculpture, video, installation, and performance to deconstruct and reconcile the precarious history and ongoing coexistence between North and South Korea. Her solo exhibition at […]
Illustrator Wooh Na Young, also known by her pen name “Obsidian,” has caught the eyes of people around the world with her distinctive style of reinterpreting Western characters in hanbok, Korean traditional clothing. Combining her training in both traditional style of Asian painting and game design, her illustrations have become a viral sensation and […]
Statues, paintings, and masks—like the bodies of shamans and spirit mediums—give material form and presence to otherwise invisible entities, and sometimes these objects are understood to be enlivened. Dr. Laurel Kendall explores how magical images are expected to work with the shamans and spirit mediums in contemporary South Korea and compares the use of these […]
Soonchoel Byun‘s solo exhibition at the Korea Society Gallery, his first one in New York in two decades, showcases nine photographs from his 2015 series Eternal Family which records and digitally creates a reunion between family members separated by the Korean War. Created with utmost sensitivity and respect for the personal and historical tragedy, Byun’s […]
Korean Art From 1953: Collision, Innovation, Interaction is a richly illustrated book containing fourteen essays written by leading Korean art historians and scholars, topics range from the 1950s avant-garde to the feminist scene in the 1970s, the birth of the Gwangju Biennale in the 1990s and the lesser known North Korean art scene, and many […]
Photo credit: Ruth Hogben for ABT Trefoil or “three-leaved plant” is a stylized form found in artifacts and architecture across culture and time. Dr. Minjee Kim begins the story with her first encounter with a gold headdress ornament of the Balhae kingdom (698-926) and traces the migration of its trefoil form throughout the 4th-6th century […]
