Korea & FIFA World Cup

 

South Korea holds the proud distinction of being the first independent Asian country to participate in a FIFA World Cup tournament in 1954. Still, Korea’s success in soccer is forever linked with the 2002 World Cup: while co-hosting the tournament with Japan, Korea became the first team outside of Europe and America to reach the semi-finals. That event propelled Korea to the next stage in the world of soccer, as it became a home of world-class players, a robust professional soccer league, and the most dedicated fans.

On the eve of Korea’s eleventh total and tenth consecutive FIFA World Cup appearance in Qatar, join us for a conversation with Steve Han about the history of soccer in Korea.

 

Korea & FIFA World Cup

Tuesday, November 22, 2022 | 5 PM (EST)

 

 

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


About the Speaker:

Steve Han is a journalist specializing in sports and entertainment. He is currently a chief editor for Korea at soccer editorial agency Ganassa, writing for FIFA+, Manchester City, and Borussia Dortmund. In addition to a 14-year career as a football writer at Goal between 2008 and March 2022, he has also freelanced for various publications, including FourFourTwo and Sports Chosun, and has appeared on BBC World News and Sky Sports.


New Narratives in Korea: Baek Sehee

 

Part memoir, part self-help book, and completely engrossing, I Want to Die but I Want to Eat Tteokbokki by Baek Sehee is a book that captures the edgy relationship many millennials and Gen Z-ers have with hopelessness, hunger, and the pressure to be perfect. A runaway bestseller in Korea where her readers include RM of BTS, I Want to Die but I Want to Eat Tteokbokki is newly translated into English by International Booker Prize shortlisted translator Anton Hur.

Baek Sehee is a successful young social media director at a publishing house when she begins seeing a psychiatrist about her — what to call it? — depression? She feels persistently low, anxious, self-doubting, but also judgmental of others. She hides her feelings at work and with her friends, but she’s constantly spiraling, overthinking, and worrying. The effort is exhausting and overwhelming and keeps her from forming deep relationships. This can’t be normal. Is this normal? But if she’s so hopeless, why is she always craving her favorite street food: the hot, spicy rice cake, tteokbokki? Is this just what life is like?

Recording her dialogues with her psychiatrist over a twelve-week period and expanding on each session with her own reflective micro-essays, Baek Sehee gives voice to mental health challenges that are still taboo, especially in Korean culture, openly disentangling the feedback loops, knee-jerk reactions, and harmful behaviors that keep her locked in a cycle of self-rejection. I Want to Die but I Want to Eat Tteokbokki is a powerful testament to acceptance with a youthful voice—a therapy memoir for the social media generation.

In this episode of New Narratives in Korea, Baek Sehee discusses her bestselling book, her success and the challenges of dealing with mental health.

 

New Narratives in Korea: Baek Sehee

Wednesday, November 9, 2022 | 5 PM (EST)

 

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


About the Speaker:

Born in 1990, Baek Sehee studied creative writing in college before working for five years at a publishing house. For ten years, she received psychiatric treatment for dysthymia (persistent mild depression), which became the subject of her essays, and then I Want to Die, but I Want to Eat Tteokbokki. Her favorite food is tteokbokki, and she lives with her rescue dog, Jaram.


Crossroads of Youth

During the silent film era in Korea, movie screenings were accompanied by live music and narrators called Byeonsa. This special screening of Crossroads of Youth invites you to encounter the film just as Korean audiences did in 1934. The Korean Film Archive and director Kim Tae-yong have reimagined the traditional Byeonsa theatrical event, bringing together the film, live musicians, actors, and narration for a dynamic multimedia experience.

Thursday November 3, 2022 | 7 PM

Gerald W Lynch Theater
524 W 59th St, New York, NY 10019

Saturday November 5, 2022 | 7 PM

University of Pittsburgh
Alumni Hall, 7th Floor

 

 


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


A Conversation with Kim Tae-yong

The Crossroads of Youth Byeonsa Performance US Tour will begin this November, bringing a byeonsa troupe from South Korea to the United States for a multi-city tour.

 

The Crossroads of Youth Byeonsa Performance US Tour will begin this November, bringing a byeonsa troupe from South Korea to the United States for a multi-city tour. The byeonsa troupe will present Crossroads of Youth – directed by Ahn Jong-hwa and released in 1934, Korea’s oldest surviving silent film. A screening of this film is presented with live storytelling, music, and acting in accompaniment. Reimagining and reconstructing the byeonsa culture, Korea’s unique film watching tradition from the Japanese occupation period, this event provides a full theater experience unlike any other.

This unique project was spearheaded by director Kim Tae-yong. A film director and screenwriter, Kim’s films include Memento Mori, Family Ties, and Late Autumn.

In this conversation, Kim discusses discovering and restoring the only surviving Korean silent film and the journey of bringing the old form of entertainment to contemporary audiences.

 

A Conversation with Kim Tae-yong

Wednesday, November 2, 2022 | 5 PM (EDT)

 

 


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speaker:

Kim Tae-yong is a South Korean film director and screenwriter. After his feature directorial debut Memento Mori (1999), he helmed the critically acclaimed Family Ties (2006), and the English-language remake Late Autumn (2010).


Artist Talk: Young Min Moon

In his paintings Young Min Moon depicts Jesa, a Confucian ritual for commemoration of the deceased, which was one of the earliest memories he holds while growing up in the military regime of South Korea in the 1970s and 80s. Despite the gender politics now associated with the ritual today due to its patriarchal nature, Moon insists on exploring the legacy. For him, the ritual holds multiple layers of meanings: an occasion of silence utterly severed from the violent era of his childhood, a means of remembering the deceased, and a tradition that may be discontinued in the age of globalization.

Moon’s paintings are also a way of honoring women’s labor for the patriarchal tradition, and an invitation to the celebration of familial ties that are largely inaccessible for diasporic Koreans. In his solo exhibition at The Korea Society, Moon also complicates his relation to the legacy of Jesa by situating it in relation to Catholicism that impacted the Confucian tradition in Korea.

Moon, whose solo exhibition The Share for Those Who Remain is on view at The Korea Society Gallery September 15-December 9, 2022, talks about his career and work.

 

Artist Talk: Young Min Moon

Tuesday, October 25, 2022 | 5 PM (EDT)
Video release

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

Gallery hours: (M-F) 10 AM – 4:30 PM by appointment

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Young Min Moon is an artist and critic whose work reflects his migration across cultures and his awareness of the hybrid nature of identities forged amid the complex historical and political relationships between Asia and North America. Moon has shown his art in many exhibitions in South Korea and North America, including Sansumunhwa, Art Space Pool, Kumho Museum of Art, Gyeonggi Museum of Art, Kukje Gallery, Smith College Museum of Art, and the Carpenter Center at Harvard University, among others. Moon published his essays on contemporary Korean art in a wide range of publications, including Contemporary Art in Asia: A Critical Reader (MIT), and a chapter in A Companion to Korean Art (Wiley). He serves on the editorial board for the online journal Trans Asia Photography. Moon is a professor at University of Massachusetts Amherst and a recipient of Guggenheim Fellowship and Joan Mitchell Foundation Grant.


KPOP THE BROADWAY MUSICAL

 

As global superstars put everything on the line for a special one-night-only concert, they face struggles both cultural and personal that threaten to dismantle one of the industry’s hottest labels. Featuring a cast of K-pop and musical theater stars, with 18 Broadway debuts, KPOP is a multimedia experience that explores the relentless discipline, raw talent, and commercial ambition behind the international sensation.

KPOP has the distinction of being the first musical on Broadway celebrating Korean culture and it is the third Broadway musical that highlights API heritage with API representation in the cast and creative team.

Join us for a conversation with the creative team behind the scene and cast members as they prepare to make their Broadway debut.

 

KPOP
THE BROADWAY MUSICAL
INSPIRED BY THEGLOBAL MUSIC PHENOMENON

Hybrid Program

Monday, October 24, 2022 | 6 PM (EDT)


The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 

 


About the Speakers:

HELEN PARK (Music & Lyrics, Music Production & Arrangements) is best known for her work as composer-lyricist and music producer for the upcoming Broadway musical, KPOP, for which she is a three-time Drama Desk nominee and recipient of a Lucille Lortel Award and Richard Rodgers Award. Additionally, Park co-wrote songs for the Oscar-nominated Netflix animated musical film Over the Moon, directed by Academy Award-winning animator Glen Keane. She holds an MFA from NYU’s Graduate Musical Theater Writing Program and is an alumnus of the advanced BMI Lehman Engel Musical Theater Workshop.

 

BOHYUNG (Tiny) is proud to be making her Broadway debut in KPOP. She is a veteran K-Pop star, debuting as a member of SPICA as well as performing as a solo artist. She has performed at KCON LA, KCON Abu Dhabi, Rainbow Festival, Immortal Songs, King of Mask Singer, amongst others. @bohyungkim

 

KEVIN WOO (Jun Hyuk) is honored to make his Broadway debut in KPOP. As a successful Korean-American singer-songwriter and former member of K-pop boy band U-KISS, he dedicates this to his South Korean heritage. @kevinwoo_official

 


Bojagi Workshop

Learn how to make your own bojagi—traditional Korean wrapping cloths—in this hands-on workshop. Participants will learn how to create a mini double layer bojagi called gub-bo using various colorful Korean ramie and hemp fabric and hand sewing techniques. Your own unique mini bojagi with geometric patterns can either be displayed as art in a frame or used as a decorative household item.  

Most materials—Korean ramie fabric, colored thread, needle, pins, marker, pencil, eraser, rulers—will be provided. Bring your own pin cushion if you would like.

 

 


About the Artist:

Wonju Seo was born and raised in Seoul Korea, where she received her B.F.A in Fine Arts Painting from Hong-Ik University in 1988. After graduating college, she has worked as a package designer and silk painting artist for a long time. In 1998, she came to the United State to continue her career as an artist.

Seo has taught at The Korea Society, the Lee Young Hee Museum of Korean Culture in New York City, the Charles B. Wang Center in Stony Brook, New York and Newark Museum in New Jersey. Her art works have been selected by juries for many arts competitions, and she has been nationally and internationally exhibited in galleries and museumss.

Seo’s works are in the permanent collections of the Newark Museum, NJ; Charles B. Wang Center, Stony Brook University, NY; and Grand Hyatt Hotel, Jeju Dream Tower, Jeju Island, South Korea.


A Conversation with Su Cho

 

How do our stories transform as they are passed down to each generation? Prize-winning poet Su Cho explores the legacies of language and lore in her unforgettable debut collection, The Symmetry of Fish. Selected by Space Struck author Paige Lewis for the National Poetry Series, these poems trace the narratives and phrases of a Korean American immigrant family with absorbing tenderness and curiosity. Cho threads stories of food and folktales through her meditations on joy, grief, friendship, faith, and coming of age in the middle of nowhere. This inventive debut illuminates how language is not lost over generations but distilled into potency— continuously remade, hitched to new associations, and capable of blooming anew. 

In this conversation, Su Cho discusses her debut collection and the emerging tradition of Korean-American poetry.

Su Cho’s The Symmetry of Fish casts such corpuscles of light to the Korean and Korean American imagination. Cho’s poems invoke the tongue’s memory to give language to the unnamable: 가시, 밤, 쌀, 살, 사랑니, 봉숭아. Lightness and stillness expand with each word—and from every malady emerges a cure. —E. J. Koh, author of The Magical Language of Others and A Lesser Love

 

A Conversation with Su Cho

Tuesday, October 11, 2022 | 6 PM (EDT)

 

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


About the Speaker:

Su Cho is a poet and essayist born in South Korea and raised in Indiana. She has an MFA in Poetry from Indiana University and a PhD from University of Wisconsin-Milwaukee. She has served as the editor-in-chief of Indiana Review, Cream City Review and has served as guest editor for Poetry magazine. Her work has been featured in Poetry, New England Review, Gulf Coast, and Orion; the 2021 Best American Poetry and Best New Poets anthologies; and elsewhere. A finalist for the 2020 Ruth Lilly and Dorothy Sargent Poetry Fellowship, recipient of a National Society of Arts and Letters Award, and a two-time Pushcart Prize nominee, she is currently an assistant professor at Clemson University.


Author Talks: Lee Geum-yi

 

“Lee Geum-yi has a gift for taking little-known embers of history and transforming them into moving, compelling, and uplifting stories. I loved Willow from the first page to the last. Loved her courage, and her tenacious, yet caring, beautiful soul. The Picture Bride is the ultimate story of the power of friendship—a must read!” — Heather Morris, #1 New York Times bestselling author of The Tattooist of Auschwitz and Three Sisters

While reading a book on Korean-American immigration history, Lee Geum-yi stumbled across a photo of three picture brides – young women who left their homes in Korea to marry men whom they knew nothing about. Of the three, only one had a name listed, and there was no information about them. With no record of their lives before or after the photograph, she was seized by an inconsolable desire to bring these women—stuck permanently in a black-and-white photo—back to life. From this desire, Lee Geum-yi’s The Picture Bride was born.

Set in 1918, The Picture Bride follows the journeys of three young women: Willow, who comes from a family of Korean independence activists; Hongju, whose husband died two months into marriage; and Songhwa, who was ridiculed by the children in her village, just for being a shaman’s granddaughter. Unfortunately, the social standing of these three women, who left their country and families with dreams of a new world, doesn’t change much in Hawaii. Yet, through the power of friendship and found family, they forge ahead, creating a new kind of American dream.

The Picture Bride is a celebration of immigrant visionaries, adventurers and trailblazers; a beautiful tale of the power or selfless love; and a thought-provoking story that invites important conversations on colonialism and cultural identity. Perhaps put best by Lee Geum-yi, who hopes this story will find resonance with readers today:

Stories of these three immigrant women, I believe, will deeply resonate with American readers today. … I sincerely hope that all of those who find The Picture Bride will find a piece of their own story in this book.

In this episode of Author Talks, Lee Geum-yi discusses her career in Korea and her English debut.

Author Talks: Lee Geum-yi

Tuesday, October 4, 2022 | 5 PM (EDT)

 

 

The Korea Society
350 Madison Avenue, 24th Floor
New York, NY 10017

 

 


About the Speaker:

Lee Geum-yi was born in 1962, in her grandmother’s house in a small, mountainous village in Chungcheongbuk-do, Korea. She became enthralled with the charms of storytelling early on, having spent her childhood under the influence of her grandmother’s bedtime stories. Since then, Lee has published over fifty books in South Korea, and her work has been translated around the world. Beloved by readers and literary critics alike, many of her books have been adapted into TV series, musicals, and webtoons. Lee Geum-yi lives in Seoul, South Korea, with her husband, son, and her old rescue dog, Lulu. The Picture Bride is her first novel to be translated into English.


Young Min Moon | The Share for Those Who Remain

September 15 – December 9, 2022|
Artist Talk : Tuesday, October 25, 2022 5 PM ET|

In his paintings Young Min Moon depicts Jesa, a Confucian ritual for commemoration of the deceased, which was one of the earliest memories he holds while growing up in the military regime of South Korea in the 1970s and 80s. Despite the gender politics now associated with the ritual today due to its patriarchal nature, Moon insists on exploring the legacy. For him, the ritual holds multiple layers of meanings: an occasion of silence utterly severed from the violent era of his childhood, a means of remembering the deceased, and a tradition that may be discontinued in the age of globalization.

Moon’s paintings are also a way of honoring women’s labor for the patriarchal tradition, and an invitation to the celebration of familial ties that are largely inaccessible for diasporic Koreans. In his solo exhibition at The Korea Society, Moon also complicates his relation to the legacy of Jesa by situating it in relation to Catholicism that impacted the Confucian tradition in Korea.

The Korea Society Gallery is open only by appointment. The appointment must be made at least 24 hours prior to the scheduled visit. To make an appointment, please contact info@koreasociety.org.

Gallery Hours: Monday-Friday 10 AM-4:30 PM
Summer Hours during the month of August: Monday-Thursday 10 AM-4:30 PM
By Appointment Only

Click here to make an appointment

 


@ The Korea Society 
350 Madison Avenue, 24th Floor, NYC

**Pre-registration is now required for all Korea Society events, and an ID is required for security.**

For more information, please contact info@koreasociety.org or call (212) 759-7525.

 

 


ABOUT THE ARTIST:

Young Min Moon is an artist and critic whose work reflects his migration across cultures and his awareness of the hybrid nature of identities forged amid the complex historical and political relationships between Asia and North America. Moon has shown his art in many exhibitions in South Korea and North America, including Sansumunhwa, Art Space Pool, Kumho Museum of Art, Gyeonggi Museum of Art, Kukje Gallery, Smith College Museum of Art, and the Carpenter Center at Harvard University, among others. Moon published his essays on contemporary Korean art in a wide range of publications, including Contemporary Art in Asia: A Critical Reader (MIT), and a chapter in A Companion to Korean Art (Wiley). He serves on the editorial board for the online journal Trans Asia Photography. Moon is a professor at University of Massachusetts Amherst and a recipient of Guggenheim Fellowship and Joan Mitchell Foundation Grant.


Image courtesy of the artist